My Life In Records
Kicking about their native Denmark since 2003, Oh No Ono's otherworldly pop first caught Ragged Words' attention when the fine folk at The Leaf Label signed the Copenhagen-residing five-piece last year. With their latest album Eggs out this month, the band's Nicolai Koch details his life in records.
When I was ten, one of my older cousins gave me this record and it seemed extremely exotic to me. I hardly understood any of the lyrics, but it made want to be a gangster in south central, which to me might as well have been Neverland. I told my farther this was way better than the Beatles, and we ended up spending an evening comparing this and the White Album.
At about 14 I was getting tired with grunge, and some freinds of mine and I wanted to start a jazz band. We got ourselves some second hand suits and started digging for jazz records. I can’t explain how thrilled I was to discover this record. I’d been listening to Louis Armstrong and Baby Dodds up to that point, and here was finely some jazz that sounded as cool as I had imagined it to.
Around the same time I stumbled upon this record, and completely lost myself to it. For years this was the most superb music I could imagine and I still go to Sly for inspiration.
When I was 16, I was into any type of electrified jazz I could find, and I think I bought this just off the cover – but what a lucky pick. I listened to it almost daily on my disc-man for a good year. It features Andy Bey and turned me in to his stuff as well.
This album completely renewed my faith in music. Today I prefer Kid A and Amnesiac, but I am certain that this was my generation's Revolver.
I had this idea of making an album solely out of samples from my former roommates indie-rock records. I ended up sampling just about every other second of this record before I realized that this was perfect music not to be messed with, and that I should try to something else.
I was heavily in to Slum Village and Jay Dee when this came out, and when a friend of mine played me 'I Will Truck', with those big dirty claps, I truly had the feeling that the best of two worlds had finely met.
For a long while I bought just about anything Madlib put out. It is not all high quality, but it is all very inspiring. This album, however, I still consider his finest achievement . And often Dooms lyrics will come to my mind when I am writing.
I do not remember exactly when I first listened to Tender Buttons. I don’t think I realized just how brilliant it was. But I do remember thinking that this was an album I wish I'd made. Today it is one of favourite records and I don’t think I’ll ever get bored with it.
It was a hard stroke for me when I realized just how many Sun Ra records were actually in existence, because I knew that I could not afford to collect all of them. But I still really have the urge. I have sold most of my L.P.’s by now but I kept Lanqudity and this one. The silver sleeve and the gold sleeve.









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